Author Archive

Paris Review: William Gibson, The Art of Fiction
Easily the most in-depth interview with William Gibson in years, David Wallace-Wells’s article is a must read.
I also wanted science fiction to be more naturalistic. There had been a poverty of description in much of it. The technology depicted was so slick and clean that it was practically invisible. What would any given SF favorite look like if we could crank up the resolution? As it was then, much of it was like video games before the invention of fractal dirt. I wanted to see dirt in the corners.

William Gibson & The Cyberpunk Influence
Excellent Backpage Magazine profile of William Gibson and his influence on music, film, tech and culture.
From the underground noise rock of Sonic Youth to the mainstream films of Nolan and Fincher, Gibson’s innovatory cyberpunk has become perhaps the key lens through which we view, understand, and criticize contemporary politics and technological forms of control. It’s not science fiction but the new realism.

William Gibson interview in CNQ

[AUDIO] Gibson Interview on Sound of Young America
Great audio interview with William Gibson on The Sound of Young America via Maximum Fun
…and another audio interview via Authors on Tour.

Jalopnik’s A Vehicular Appendix To “Zero History”
Jalopnik has assembled a very cool catalog of vehicles in William Gibson’s latest novel Zero History:
In “Zero History,” Gibson fully explores his product fetishism and grasp of the automotive zeitgeist by featuring a many of the same vehicles we can’t stop talking about on the pages of Jalopnik. Click through the images for a chronological appendix to the most important vehicles used in “Zero History.” There are no real spoilers, but don’t read if you’re especially impressionable.


VIDEO: William Gibson on Nature of Celebrity
Cool video feature during after the 1997 release of Idoru:

William Gibson: From Cyberspace to Reader Headspace
Excellent review of Zero History by By Scott Dickensheets, Mood Lighting in the Vegas Cube: William Gibson’s Zero History:
But Gibson’s stair colors, and hundreds of similar offbeat details, force you not only into a cohesive fictional world that’s both familiar and slightly off-kilter, but (allow me to go meta for a sec) a reading headspace in which the familiar is continually being overlaid with new, slightly exoticized detail. There’s an alertness to the prose that spills into the reading experience. It’s a crackling, electric place to be, despite the hard-to-buy plot twist at the end — spoiler alert: Bigend + Iceland + voodoo math — and even if you don’t care about fashion.







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